To historicize the theory of ‘agency of things’ through examination of historic artefacts from specific European territory (mostly Northern Europe) and from a period spanning from the fourteenth to the sixteenth centuries.
To conduct scientific research, organise a conference and publish a monograph, which will set foundations for a new history of Late Medieval and Early Modern art, alternative towards scientific positivism and stylistic narratives, iconology, socio-political and socio-religious art history, but also towards broadly understood postmodern art history (including postructuralism and gender studies).